Streaming Ghost Child 2013 Film!

Streaming Ghost Child (2013)

• MOVIE page: Ghost Child (2013)
• Rate: 4.2/10 total 20 votes 
• Genre: Horror
• Filming Location: Singapore
• Director: Gilbert Chan
• Stars: Ming Bridges, Hanwei Chen, Cecilia Heng | See full cast and crew
• Original Music By: Ken Chong (music score)  

Writing Credits By:

(in alphabetical order)
• Gilbert Chan  screenplay
• Tan Fong Cheng  screenplay

     

Plot: Struggling to come to terms with the death of her mother, Kim suddenly has to deal with a new mother in her life... See more » |  »

Story: Struggling to come to terms with the death of her mother, Kim suddenly has to deal with a new mother in her life. Choon, Kim's father, brings home a woman one day and announces his decision to marry her. A series of mysterious and terrifying incidents start to occur at the family home after their return. Could it be the jealous spirit of Choon's dead wife that has come back to show her displeasure at being replaced? Or is there something more sinister? What unravels is a tale of unspeakable evil that threatens to destroy the family. What deep, dark secret is Na, Choon's new wife, hiding from them? Can Kim help save her family from complete destruction? Written byAnonymous

Produced By:

• Tan Fong Cheng known as producer
• Gary Goh known as producer
• Eric Khoo known as producer

FullCast & Crew:

• Ming Bridges known as Shirley
• Hanwei Chen known as Choon
• Cecilia Heng known as Grandmother
• Vanessa Lee known as Tiffany
• Jonathan Lim known as Internet Clairvoyant
• Naomi Neo known as Naomi
• Russell Ong known as Troy
• Carmen Soo known as Na
• Vincent Tee known as Lim
• Jayley Woo known as Kim

Production Companies:

• Zhao Wei Films (I)

Ghost Child (2013) Review by DICK STEEL from Singapore
23:59, despite its weak storyline, became the sleeper hit of 2011 atthe box office for Gorylah pictures, and thrust director Gilbert Chaninto the ranks of the few local directors in the million dollar clubthat is increasingly expanding. Which is a good thing, at the veryleast, that audiences here are beginning to give local films a chance,good or bad. Started off as co- director for the indie crime caper S11and the romantic comedy Love Matters, it seems that the horror genre isbecoming his calling, with Ghost Child probably trying to prove that23:59 was no fluke a success.

But strangely though, if put side by side, 23:59 didn't have thestrongest of stories, but had scenes intended to scare audiencesrelatively well executed, despite genre clichés by the truckloads. ButGhost Child seemed to have done the reverse, in having developed astronger, more coherent storyline, but strangely devoid of any realscares. One can hardly find having one's hand being forced into markingcorrect answers in a test, or having one's head repeatedly smashed intoa mirror, or simulating a ghost-pulling-leg moment in a pool, horrificto make audiences jump at their feet. Nor is having characters runningaway from a camera looking afraid anything scary. If you're looking forsome shock jock moments, then Ghost Chlld is not the horror film you'reseeking, since it's remotely anything scary by horror standards.

The ghoul here is the titular Ghost Child also known as a Toyol, madeby unborn fetuses through black magic, and will bring an owner a spiritthat will help in various tasking, for rewards such as toys and sweets.The consequence is that this spirit gets envious and jealous easily,which will go on to inflict harm to others, and in the worst casescenario, go out of control. Ghost Child had its title to ruin possiblered herrings that tried to force their way into the narrative, only forthese opportunities to be quickly debunked no thanks to knowing whatthis film is all about and the ghoul it decided to focus on.

Chen Hanwei and Carmen Soo headline this film, coming off the Toggle.sgoriginal film production Love... And Other Bad Habits that had made itto the big screen, where they appeared in different segments. Chenplays Choon, a businessman desperate to sell his shares in a successfulcompany to a business partner (Vincent Tee), only for the latter toconstantly stall and play him out. In the prologue, Choon meets Na(Soo) in an under- developed situation - why was he there in the middleof nowhere, what was he doing there, and so on, were questions thatwere left unanswered, so you'll just have to accept that this couplemet, and decide to get married.

In Singapore, Choon's daughter Kim (Jayley Woo) lives with hergrandmother (Cecilia Heng) and hasn't seen Choon for far too long, onlyfor him to return with new wife in tow. From the onset, they don't getalong, and soon, things start to go bump in the house, with valuablesgoing missing, and toys that strangely got strewn around, with furtherdisturbances to everyone's bedtime. Punches were obviously pulled whenthe filmmakers decide not to lapse into clichés so as to sophisticatethe type of scares they can pull off, but sadly this is a film thatcould have benefited from the clichéd jump scares, rather than to skirtand waddle around traditional opportunities presented in creepytoilets, and the likes. It had two separate and lightweight arcs, oneto focus on the granny who you know is asking for it when she gives heramulet away to Kim, while the other deals with Kim's struggle withbeing outcast in her school, her swim team misadventures, and grapplingwith poor grades.

Amongst the few key cast members, it is Jayley Woo who stood outplaying the scream queen teenager, holding her own opposite veteranChen Hanwei, who really had little to do other than looking perplexedwhen he can't figure out his business decisions, and to look elated inthe coming of his character's new born, an event that was announced inthe most unconvincing part of the story. Carmen Soo didn't have much todo in the film other than to lend her accented Mandarin in passing offas n Indonesian, with scenes that go one step further to caststereotypes and prejudices locals have toward those providingcaregiving and domestic household work here.

It would be a surprise if Ghost Child were to make as big an impact as23:59. But in any case, I would suggest that the next Gilbert Chan filmshould break away from the need to have unnamed characters sittingaround in a circle telling each other ghost stories. It was a plotdevice used in 23:59 with army recruits gathering around in their bunk,and now a group of students gathering around a camp-fire doing exactlythe same thing. This does nothing more than to provide additional scaryscenes outside of the main narrative, which is an extra that'sunnecessary should the main story be solidly created.

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